“It is all extremely subtle and of a mesmerising beauty.”

“The 40 minutes of Out of the Blue swerve from flamenco to jazz to klezmer to chanson and spoken-word poetry, sometimes within the same track.”

“Given the consistently high level of the performance, it is difficult to pinpoint a peak moment.”

“The freshness and delicacy of the melodies, the interweaving of voices, the harmonious musicality of the instruments, the subtlety of the arrangements: the charm works once again.”

“A timeless universality therefore creeps into their
repertoire.”

“Out of the Blue is complete in every aspect and powerful in its intimacy.”

“This mix is quite unique – but at the same time so multi-layered and complex.”

“They sing so enchantingly, fragile and warm-heartedly.”

“On Out of the Blue, the Brussels trio creates a dream world.”

“The poetry they perform in their songs is quite sharp, sometimes a bit dark and raw, with a touch of humour and absurdity, but mostly full of tenderness and to the point.”

“The three ladies take an unconventional approach and when I say vocal acrobatics, that’s only half the truth. Vocal eroticism is a better word, and I mean that absolutely seriously. The way the vocals break into the ear canals, sonorous and full, like a mighty wave, is amazing.”

“Keep and eye – and an ear – out for Las Lloronas second album.”

“Out of the Blue is full of vibrancy and colour, while never failing to acknowledge the lurking darkness. It’s an emotional experience you’ll want to relive again and again.”

“In an uncensored flow, the inner world of emotions is portrayed and, with an original and unconventional research, a vital flow takes shape.”

“One of the most beautiful recent expressions of singer-songwriter song. (…) Las Lloronas are funny, witty and not without mystery. Attractive and disturbing at the same time, intensely seductive in their radical determination to resemble only themselves.”

“Here we are, embarking on a beautiful journey full of images, encountering various folklores (Spanish, klezmer…). The atmosphere is soft, subtle, poetic and sensitive.”

“They give the feeling that they trust in the capacity of art to change the world.”

“Very mature folk music with storytelling and emotional polyphonic songs.  A relief in these turbulent days.”

“In live performance, Las Lloronas share moments of powerful vulnerability. Transiting between authenticity, fun and indignation.”

“Backed by a stylish video, superbly directed by Maria Lorente Becerra, this new single questions the passage of time with a fine dose of poetry and a beating chorus.”

“For this second album Out of the Blue, Las Lloronas have embarked on an exciting audiovisual collaboration. In this project, Maria has created an intimate documentary that explores the behind-the-scenes lives of these artists as they composed the songs for the album, bringing to life the title Inside Las Lloronas.”

“Run stands out for its originality, its absurd and endearing approach, and its singular aesthetic that evokes the essence of a short film.”

“The music video for Run: a piece that evokes “the essence of a short film” and has been produced by the team of the talented Barcelona film director María Lorente-Becerra and the video clip filmed in the beautiful Aran Valley.”

“Cool, jazzy and with great harmonies, it is a perfect listen at any time of the day.” – Richard Hollingham’s Top 10 Albums of 2021

“Accompanied by accordion, guitar, ukulele and clarinet, their voices fuse intimate lyrics with melancholic harmonies, for a simple, beautiful, strong and touching result. Voices impregnated, gorged with their XXIst century, with their fears, their sorrows and their joys… “

“Bringing together with ease polyphonies and slam, they sign an album of a radiant delicacy”

“That the meaning is open to discussion is at the heart of what makes Soaked intriguing, whilst their musical virtuosity entertains.”

“It is not perfection that counts, but the story of a song.”

“Las Lloronas look at the world through an original and dreamy vision, revealing subtle emotions that make Soaked an authentic and refined work.”

“Their beautiful, interwoven voices, the warm timbres of guitar, ukulele and accordion, various speech melodies (English, French and Spanish) and spoken word passages make the album an irresistible listening pleasure.”

“Soaked is a memorable emotional ride from melancholia to euphoria and back again.”

“It elevates their music to a deeply human experience that provokes both catharsis and festivity.”

“Music with traditional roots and here and there contemporary touches such as slam poetry.”

“The voices harmonize effortlessly, provoking a musical love at first sight that drives them to pursue the project professionally.”

“The result of this intense collaboration is called Soaked, and when you hear it for the first time, you have no idea what just hit you. You’re overwhelmed, lacking any reference point.”

“Armed with just a guitar, accordion, ukulele, and clarinet, along with their stunning voices, the three manage to deliver a breathtakingly beautiful series of songs for over 45 minutes — all on a truly international level and in five languages: French, English, Spanish, Arabic, and Hebrew… They do it effortlessly.”

“They now present their debut album S O A K E D, fully immersing the listener in a worldly sound bath of jazz, pop, klezmer, and fado. The spaces between the letters in the title may symbolize room for interpretation and imagination, or a conscious decision to leave things unsaid. Silence, after all, can speak volumes.”

“This singing is invulnerable, beautiful, proud and in solidarity, sometimes even out of tune, but always soulful. A thoughtful debut. Often quietly, in these noisy times, Soaked of Las Lloronas, a discovery.”

“In their performance, Las Lloronas share a moment of powerful vulnerability, on the edge of lament, daydream, and battle cry.”

“Courage and vulnerability resonate from Las Lloronas’ artfully woven songs, which combine feminist poetry slam with many influences.”

“It’s light, it’s beautiful, it’s haunting.”

“Instrumentally, the use of accordion, guitar and clarinet allows them to flow around Europe, sucking the influences od Moorish Spain and North Africa, the Middle East, Eastern Europe, reinforcing the point that origins do not matter, what you care about matters.”